Hello! Welcome to my blog!

Please go to this link to find the beginning of the 311mc section, and view the post upwards from the bottom of the page.

I hope you enjoy the blog!

Kate Haley


Evaluation

I sum up a lot of my reflection in the post below*, but this is my full evaluation of the entire project.

The reason I wanted to do this project, and adapt it from its original routes in photography, was because I felt my first project didn’t do it justice, didn’t show it off enough, I didn’t to do it proud. I wanted to make this documentary to let the world know about another world, a world no one would of thought existed; a world so remote to a lot of people I have met over the past 2 ½ years at university, I wanted to tell the story, the best way I knew how – through media. It was the only option for my final project. I had had other ideas, but nothing I was as passionate about, nothing I was so involved with personally, making it clear that this was the project I had to do for my final assessment. I knew I would always pour my heart and soul into this project, as it was so personal to me, I am so invested in it. Why make up a drama piece, when I have real life drama waiting to be told!

Research and Pre Production was the longest and heftiest section of my project, but was still very interesting. I discovered a project called Kingsmead Eyes by Gideon Mendel fairly on in my research. This project was so similar to my original idea that it was scary! Kingsmead eyes saw Gideon Mendel give digital cameras to 30 primary school students from Kingsmead Primary School, on one of the most notorious estates in Clapton. The school is in the same area my project is based. He worked alongside the resident poet of the school to get the kids to write poems about the photos they had taken, and with these made a film using the photos the kids had taken and the poems (read by the kids) and the portraits he had taken with the kids. His project was so inspirational as it showed me that my project is relevant to the outside world today. Being so geographically close to my project it helped me to think about the issues I could bring out in my interviews, such as murder, and living conditions. During the process of my research for my project, so many cultural things happened which made my project even more important to the world out there. Stories of gang violence, murder, and teenage tragedies were all over the local and national news. For example, Agnes Sina-Inakoju was shot in Hoxton very recently and died because she was caught up in the cross fire of a postcode gang war. This story made it to the national news, but I was also finding things out about these postcode wars, and gang violence personally. One of the members of our youth church was stabbed 9 times (and survived)* during the making of my film. He was stabbed because he is involved with the local gang, and he was fighting another local gang because they were from a different postcode. It was vital this topic was discussed as a part of my film as I know that this is a large part of these young peoples lives, and for some of the people who will view my film it will be hard to comprehend.
A couple of other very important things I came across during my research was the ‘London Orbital’ film about the M25. It taught me how to film my driving scenes, was what inspired me to have the driving scenes in the first place, and eventually became the driving force behind my concept. I had to drive from Coventry to London almost every weekend to complete my project, and this time spent in the car, on the M25 and M1, encouraged me to look back at the London Orbital film, as we had been shown it briefly in past projects. Also works from the blog ‘From The Upper Deck’ also helped in that realisation, and with more artistic decisions. It’s a blog I have admired for a while, and came in handy when thinking about how to shoot my driving scenes; such as whether to use a car, or a bus for a higher angle. I felt the continuity of a car would be the best option in the end, because this would give the viewer the feeling of what its like to come from the outside – in.

From the start of the project I knew my main problem would be getting the young people to participate. I knew I had to accept the fact that they just might not turn up on the day. I was prepared to take this risk, I bought bait, such as pizza, sweets, and juice, and slowly they turned up, and all 3 of my shoot days were successful! I was fully prepared that at least one of them, and maybe even all of them might end up as no-shows, but they all had attendees, which was great! I knew the more footage I got during the production, the more choice I would have when it came to editing in post production. This was the only real risk I took when with regards to production but I was also worried about using the equipment, as I feel that technical skills are my weakest point. I used a Sony Z1 and Dedo Lights, along with a boom mic for my interviews. I have I have used these on projects before, but I was still quite rusty. I did plan to get some help from another media student(s), but that didn’t happen, and it would have been too hard to get people there, and it also may have affected the interviews if there were strangers there during the filming. I decided to tackle the equipment on my own. I did have help from my friend William, and my Mother, Marcia, as credited in the film! They were very good at helping with the equipment, the location and the young people, and it would have been a lot harder and stressful without them. The other side of production was the filming of the driving scenes. I had to shoot these twice as the first time I filmed it holding the camera thinking it would look a bit quirky and give it a more real feel like someone just looking out a car window as they were driving around hackney. Once I put the footage into AVID, However, this was clearly not the case. The footage was totally unacceptable; it was jerky, not quirky! It had to be re-shot otherwise the film would have looked terrible. I re-shot it that weekend, with just enough time to spare. To make it not jerky and horrible I found out the media loan shop had a car mount for camera’s, an alien piece of equipment for me, but I hired it anyway, and managed to work out how to suction it onto the car! This is what we should have done in the first place; it would have saved a lot of time, and would have enabled me to push on with post production far earlier than I ended up doing. It was the right decision to re-shoot, as I now have a far superior film with a feel to it, which reflects my intentions. The re-shoot elevated my film to the next level, the level I want it to sit and it will now represent my work in a much better way.

I chose to edit on Avid, as I didn’t really have a choice. I don’t have any suitable editing software at home, and I couldn’t use the Mac’s as the ones with tape desks were dedicated to the Drama cluster, so I bit the bullet and decided to use Avid, which is notoriously difficult to use, and having not used it since my first year at University, I was very anxious, and I thought I wouldn’t remember how to use it. After a few gentle nudges from other students and staff, and some old reading material from Bex, I managed to do well. I captured all my footage correctly, and started to edit, with no problems occurring! Except for the issue of having to re-shoot my driving footage, there were no real issues with editing or Avid and by then I had a clear concept in my head, and managed to get that down on the editing timeline. This is when I decided to edit my 2 DVD extra’s. I thought I would have a little fun with my editing, and make a small re-edited film called ‘Life According to Tia’, as watching all her out-cuts, and the footage that didn’t make it to the final documentary, I felt I had to show this side to her, as her view of the world is so magnificent and in some way naive. I definitely think this is a bonus to my film, and compliments the main film beautifully, as well as having the ability to be viewed as a stand alone piece and brings along a little bit of comic relief to my project. The poem section was really just to showcase the poems the young people wrote on their own. Exporting was okay too, but I needed some help when it came to putting things on DVD, as there were problems with the server at university the day I needed to do this. Thankfully (saint) Bex was there to help me with this.

Looking back over the complete project, it has been such an interesting way to spend the last months of my degree. Looking into a subject I am so passionate about anyway and being able to apply my skills from my degree has been wonderful, and helped me to learn even more about media production as a whole. Working on my own has been hard, it’s quite un-easy when you don’t have someone else there to agree or disagree with you, and someone else to challenge ideas and bring new ones to the table. It makes you work extra and makes any outside input or research even more important. My blog has been my lifeline throughout this project. I have relished writing in my blog every time I find something interesting and relevant, and writing about any developments, and being able to easily upload images, videos and links. I think I would have a lot less work to present if I was working in a workbook format.
I have been thinking about what I would do differently on this project if had to do it all over again from the start, and there are plenty of things I would attempt. I would probably approach the project from a whole different angle. I would maybe not present the film as a one-voice of the young people film, but I would get input and interviews from other connections from Hackney that I have, including the older members of the church, and my dad who is the vicar there. I would talk to a Hackney council member I know, who was the former Hackney Speaker about his experience and reflections on the subjects brought up by the young people. I would try and find other professional opinions from people in power who are involved in Hackney. This would be an entirely different film, so maybe these aren’t reflections of what I would have done, but more ideas for the next development of my project! I am pleased with the outcome of my final project; do I feel like I have now done this subject justice, as I set out to do? I am still not sure, as I feel I will probably never feel this. This is a project I could take in so many different directions it is probably never ending, there will always be improvements to be made and new developments in the stories as the young people grow older. I could carry on making a film about them once a year, and each one would be totally different, and even more interesting than before. For what the film is, I am proud of it, and I feel it accomplishes all the things I initially wanted it to do. It covers the subjects that need to be told, and being told by the young people themselves is what makes this film so interesting and relevant. The best thing I will take away from this project is that I enjoyed it so much, and it will always be a part of me.


In the intro to my film there are some on screen facts about Hackney, and here are the references for those facts:

Hackney Council (2010) Deprivation in Hackney [online] available from [20 April 2010]

Metropolitan Police Service (2010) Crime Figures [online] available from [20 April 2010]

Living in Hackney Scrutiny Commission (2009) Review of overcrowding in Hackney. Hackney: Hackney Council, p 1-92


For my final project I intend to extend my previous photography project (210mc) and go on to produce a documentary, which explores of the lives of a group of young people who all live in a particularly bad area of Hackney, nicknamed Murder Mile, and follow their story as they tell us about their lives, what its like living there, and why it makes a difference that they all attend the same church every week. I also intend to create a photography project to run along side the documentary project, which will be using the young people themselves being the photographers.

Looking back on my original proposal, a lot has changed since my initial idea’s. I unfortunately had to abandon the photography project, this is still a regret of mine, I wish I had been able to find a way of making it work in the time frame and resources which I had. Sadly, you really have to go with the flow when working the the young people I was working with, I am not their teacher, or anything so I can’t force them to do something that they just weren’t engaging with. I did come up with a back up plan, but just didn’t have the time to use it as the filming was going so well on the day that I had access to them, and I had to make the decision that I would rather get a longer, better interview, than stop and set up the photography project, as I knew I would loose their interest and concentration. I felt I made the right decision in abandoning the photo project, as it then allowed me to focus all my attentions on the documentary. I feel my documentary has come out almost exactly as I had envisioned, and has really gone to plan, which has been great. I obviously have had hiccups, but I feel nothing major has really occurred to suffer my film.
I knew the hardest part would always be getting the young people to talk to me in the first place, they would talk totally freely to me while off camera, but they change when its turned on. The young people were always very aware of what they were saying, and that it was on camera, it was very hard to get them loosened up and to just carry on talking like they were off camera, because that’s what I wanted to capture for my documentary. After a couple of sessions with the camera the young people got more used to the idea and loosened up, and that sessions is the majority of the footage I used in my documentary, because they were just themselves and nothing else, which was just what I needed to make my film seem real. I always had the vision of the initial driving scene, where it enters Hackney from the motorway, and you can see the Olympic site being constructed, and then go into this alien world which is Hackney. I am really pleased I managed to pull it off, and it developed to be the driving force of the whole film, the feeling that your driving through Hackney, starting from outside hackney, hearing these real life stories, and then you eventually end up at the epicentre of these young peoples worlds, the church. I think this is what carries the film, gives it fluidity, and form. It took me a while to come up with this concept, which is disappointing, and meant I was still searching for a clear theme throughout my research and still during my production, as it wasn’t till post-production the theme was clear to me. I think if I had had this concept at the beginning of production, then I would of been able to plan much better, organise, and research more than I have. I think that it would of perhaps made a better film at the end of it, but I am still pleased and proud of my final film as it is now. I feel I have achieved the outcomes that I wanted to express through my film. I think that the messages and the themes came out through the interviews and stories being told in the film, and more than I expected! I wanted the voice of the film to be only the young peoples, I was always very against using any external voice or voice over, I felt this would give it too much of a “channel 4 – true life stores” feel about it, and I am so pleased I have managed to avoid having to use this. I did use on-screen script, but I don’t think this takes away from the one voice of the young people, as it could be the young people writing the initial on-screen text. I like how the text in the intro sets up the mood for the rest of the film, and truly sets the scene
for the rest of the film. Over all I feel I have stayed true to what I set out to accomplish. The reason I set out to re-cover this topic through a university project is because I felt the photographic project didn’t do the subject justice, and looking back on my film, I think I am one step closer to feeling like I have truly told their story, and have advanced the story from the photographs I took in year two, and adapted it for film, and allowed the young people to tell their story.


I found I had already written an artist statement and had forgotten about it! So here it is:

Evolving my project from its former photographic route, my documentary displayed the thoughts, the stories, the fear of a group of young teenagers, who live in possibly the worst place in England, a place which is in the top 2% most deprived areas of our nation, a place which truly lives up to its name of Murder Mile. A place were hope, happiness and faith is hard to see, I investigate the kids who live in this area, but have found the hope, happiness and faith at a barely seen church in the centre of a council estate.

We learn first hand from the mouths of these teenagers what their life is like, and earn a rare glimpse into a world so alien to the average teenager of this nation. With Gang violence probably at its peak, yet so unknown and palmed off by general media, this documentary is told in one united voice by the teenagers who experience this every day and how this affects their life, their friends, their believes and their faith and relationship with the Lord Himself. – Kate Haley


Menu Inserts

29Apr10

I decided to make some menu inserts for my DVD cases, just to make it clear what is available on the DVD, as there are 2 added extras, which are in the 2 chapters after the main film. I am getting them printed again at staples.

I used GIMP to make this image, as I don’t have photoshop CS4 access at home. I have never really used Gimp before, and as a seasoned photoshop user it was a bit difficult to work out how different gimp is, and make the transition. Once I had figured it out, it seemed okay, if a little slow, and not quite right.


I was also able to get my DVD Covers and Posters printed today at Staples Print and Copy Centre. The process took an hour and they are of excellent quality, and give the perfect feel, finish and reflection of my project. They present my work in the style of which I imagined, and set it up before even viewing the film.


DVD & Posters

28Apr10

Today I designed my DVD cover and posters for my film using Photoshop CS4. I am an old hand at Photoshop, so I managed to get the result I wanted quickly and easily. I decided to use photos that I had taken during a youth church as the basis of my dvd cover and poster. I wanted to keep things simple, like the documentary.

Here are the final versions:


Yay! Editing has finally finished after about a week.

I finished my documentary yesterday, and today I edited the DVD extras (Poems, and Life According to Tia), which has been digitally cut, and has been burnt to DVD with the help to Bex, now I have all the elements and formats I need to hand in on Friday.

Editing was a good process, as I have struggled with explaining the idea’s/visions that I had for the documentary in my head. It also helped me come up with the idea of having the 2 spin off’s, which I feel really help elevate the project, from just a documentary. It helped me to think straight, and more ridged about exactly what I wanted reflected in my film, but I also feel this is the only time I could make these decisions, because how ever much I planned I would never know what I would end up getting out of the interviews. Editing was a relatively smooth process, and I was surprised how well it went, and how well I picked up the editing equipment, Avid, after not using it for over a year, but I must thank the many people who helped me figure it out!


Printing.

26Apr10

I hope I haven’t let getting printing done too late.

I am going to visit the Coventry Uni resource centre, and Staples to see which would be best to print what I need.

I want to print 1 A3 Poster, (1 A5 Flyer), 1 DVD cover and Printed DVD’s.




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